Cla 2a compressor limiter download free2/17/2024 This is highly helpful when there is a lot of low-end air in a vocal that doesn’t need to be filtered away but impacts when and how hard the compressor attacks. Gain reduction is applied to frequencies below 1 kHz less and less as the control screw is cranked counterclockwise. When set to “flat,” the compressor equally reduces gain across all frequencies. High-Frequency Control:Įxtra regard should be paid to the high-frequency control, which modifies how the compressor reacts to specific frequencies. Unlike the original, you can launch as many instances as your machine can support. The CLA-3A is the bomb on bass and on guitars and vocals, much like the original. The CLA-3A gives the quick response and the little harmonic distortion for which the original solid-state unit from the early 1970s is renowned across the world. Vocals and other materials requiring post-transient adjustment naturally lend themselves extremely well to the 2A. When driven forcefully, it provides warmth and even a faintly edgy distortion. Like the original, the CLA-2A provides a slow attack time and a fairly transparent compression curve (about 3:1). Naturally, harmonic distortion is a sought-after character fault in today’s digital environment and is far more obvious than it formerly was. This compressor was well-liked when it first came out because of how transparent it operated and how little harmonic distortion it had. A model that transcends its inspiration can be created by adding Chris Lord-custom Alge’s presets and seemingly endless instantiations. The CLA-2A performs admirably on guitars, bass, and vocals, much like the mid-’60s classic. The CLA-2A, which is based on the legendary electro-optical tube compressor, replicates the smooth, frequency-dependent behaviors that have made the original such a favorite among engineers worldwide.
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